I attended this high school, so its incredibly great to see this addition to their program. Way to go!!!
“I think one of my main goals is to get these kids as much certifications and knowledge as they can, to those sort of outdoor industries. If they take advantage of that, awesome, and if they don’t take advantage of it, it doesn’t hurt anyone to have their chainsaw awareness living up here in Northern Ontario.”
I’d like to add in, learning outdoors and on the Land is also about a feeling, a place, of connecting. Being immersed into the spaces for all that they teach us. Being intuitive on the Land. Writing poetry even, singing, connecting can take place in so many ways.
I am reminded of this work that I did.
When I took on this project, I had no clue about quilts or sewing. When I gathered quilting fabric and materials at the sewing store, I was laughed at by a local quilter for thinking it be easy to build a quilt. The truth is, I knew we’d do this as a team. And this we totally did. I knew from my contact who was helping to support me that the Elders loved to do activities together and especially creative activities. I also knew, we’d work together, and our project would be a unique one.
One of my favourite thing was when we built our self portraits, which was the basis for the quilt activity. I took a Reggio learning activity, Reggio being one of my favourite early learning. Building self portraits was and is so important for all of us. What and how we perceive ourselves, how we are known in the community and in our families? What stories do we share? What are our favourite colours? Places? Partners? Lovers? Children? How do we see ourselves? What is important to us? What are events in your life that you want to share about? What do you love to do?
What was shared by the Elders was phenomenal. I learned so many stories from them, that they could fill volumes. If you get a chance, you can see the quilt at the Friendship Centre in the basement where they run their programs which really is a niche for them.
Using this model to work with the Elders was really inspiring. During my time with them we worked in different spaces with them including the Baggage Arts Building, The Art Gallery. I still work with the Elders in my work, and really believe in the work of Loris Malaguzz is built on a solid foundation of philosophical principles and extensive experiences and is truly a way of building something solid.
The work with the Elders was so much, and there is still so much to explore and build upon,